According to Francis Bacon, the chief use for ornament in studies is in _________

1. According to Francis Bacon, the chief use for ornament in studies is in __________ .

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MCQ-> Study the following information carefully and answer these questions.P, Q, R, S, T, W and Z are seven students studying in three different institutes A, B and C. There are three girls among the seven students who study in each of the three institutes. Two of seven students study BCA, two study Medicine and one each studies Aviation Technology, Journalism and MBA.R studies in the same college as P who studies MBA in college B.No girl studies Journalism or MBA. T studies BCA in college C. S studies Journalism in the same college as Q. Neither R nor Z studies BCA. The girl who studies BCA does not study in college C.W and Z study in the same college and W is a guy.Which of the following pairs of students study BCA?
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MCQ->The passage given below is followed by four summaries. Choose the option that best captures the author's position.Both Socrates and Bacon were very good at asking useful questions. In fact, Socrates is largely credited with coming up with a way of asking questions, 'the Socratic method,' which itself is at the core of the 'scientific method,' popularised by Bacon. The Socratic method disproves arguments by finding exceptions to them, and can therefore lead your opponent to a point where they admit something that contradicts their original position. In common with Socrates, Bacon stressed it was as important to disprove a theory as it was to prove one — and real-world observation and experimentation were key to achieving both aims. Bacon also saw science as a collaborative affair, with scientists working together, challenging each other.....

MCQ-> Study the following information and answer the given questions. Seven people, namely C, D, E, F, G, H and I like different cities namely, Surat, Kolkata, Bangalore, Mumbai, Ranchi, Delhi and Pune. Each of them studies in either of three schools viz. DAS, RIS and VCS with atleast two of them in a school. (Note : None of the information given is necessarily in the same order.) F studies with the one who likes Bangalore in RIS. The one who likes Delhi studies only with H. H does not like Bangalore. C studies with those who like Surat and Pune. C does not study with F. E studies only with the one who likes Mumbai. The one who likes Mumbai does not study with the one who likes Delhi. More than one person studies with D. D does not like Pune. Both I and the one who likes Ranchi study in the same school but not in DAS. H does not like Ranchi. –Which of the following combinations represents the school in which E studies and the city he likes ?
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MCQ-> Read the passage given below and answer the questions that follow it:Does having a mood disorder make you more creative? That’s the most frequent question I hear about the relationship. But because we cannot control the instance of a mood disorder (that is, we can’t turn it on and off, and measure that person’s creativity under both conditions), the question should really be: Do individuals with a mood disorder exhibit greater creativity than those without? Studies that attempt to answer this question by comparing the creativity of individuals with a mood disorder against those without, have been well, mixed.Studies that ask participants to complete surveys of creative personality, behavior or accomplishment, or to complete divergent thinking measures (where they are asked to generate lots of ideas) often find that individuals with mood disorders do not differ from those without. However, studies using “creative occupation” as an indicator of creativity (based on the assumption that those employed in these occupations are relatively more creative than others) have found that people with bipolar disorders are overrepresented in these occupations. These studies do not measure the creativity of participants directly, rather they use external records (such as censuses and medical registries) to tally the number of people with a history of mood disorders (compared with those without) who report being employed in a creative occupation at some time. These studies incorporate an enormous number of people and provide solid evidence that people who have sought treatment for mood disorders are engaged in creative occupations to a greater extent than those who have not. But can creative occupations serve as a proxy for creative ability?The creative occupations considered in these studies are overwhelmingly in the arts, which frequently provide greater autonomy and less rigid structure than the average nine-to-five job. This makes these jobs more conducive to the success of individuals who struggle with performance consistency as the result of a mood disorder. The American psychiatrist Arnold Ludwig has suggested that the level of emotional expressiveness required to be successful in various occupations creates an occupational drift and demonstrated that the pattern of expressive occupations being associated with a greater incidence of psychopathology is a self-repeating pattern. For example, professions in the creative arts are associated with greater psychopathology than professions in the sciences whereas, within creative arts professions, architects exhibit a lower lifetime prevalence rate of psychopathology than visual artists and, within the visual arts, abstract artists exhibit lower rates of psychopathology than expressive artists. Therefore, it is possible that many people who suffer from mood disorders gravitate towards these types of professions, regardless of creative ability or inclination.Go through the following:1.Mood disorders do not lead to creativity 2.The flexibility of creative occupations makes them more appealing to people with mood disorder 3.Mood swings in creative professions is less prevalent than in non-creative professionsWhich of the following would undermine the passage’s main argument?....