1. What is a firewall protection? -POLICE SUB INSPECTOR (2014)





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MCQ->What is a firewall protection? -POLICE SUB INSPECTOR (2014)....
MCQ->In this question, a passage is given followed by a statement. Read the passage carefully and judge the statement based on the given passage. The strong olfactory sense elephants ar e known for has come as a blessing in disguise for the police in curbing illicit liquor trade in Uttarakhand’s Udham SinghNagar district. The animals find lahan, the substance used for brewing liquor, hidden in forests of Khatima in the district, and destroy them. Manufacturers brew it near nullahsdeep inside the forests or near the villages to avoid police raids as flowing water is required for fermentation. Lahan is sealed in barrels or polythene bags and buried for four to five days for fermentation. Elephants reach the spot by smelling the substance and destroy the barrels to consume the liquor, said Yogesh Upadhaya, inspector, Khatima police station. He said some traders keep the barrels on scaffoldings on trees but they are easily spotted by the police. “We have destroyed thousand litres of lahan in the past 23 months. They were stored in barrels on scaffoldings,” said Yogesh Upadhyay, inspector. “Miscreants place barrels of lahan on trees to keep them away from elephants. Elephants find them and destroy the barrels to consume the substance, causing heavy loss to the manufacturers,” he added. A villager, said: “The liquor is sold for Rs 80 to 100 per litre in villages. Since it is cheaper than liquor available in the market, people buy it even after knowing its impact on health. Elephants are playing vital role in curbing the trade.” Statement: Police officially use elephants to stop illicit liquor trade.Choose the appropriate one from the following options A The statement is definitely true. B The statement is probably true. C The statement cannot be determ ined. D The statement is definitely false.....
MCQ-> Read the passage given below and answer the questions that follow it:There are no Commandments in art and no easy axioms for art appreciation. “Do I like this?” is the question anyone should ask themselves at the moment of confrontation with the picture. But if “yes,” why “yes”? and if “no,” why “no”? The obvious direct emotional response is never simple, and ninety-nine times out of a hundred, the “yes” or “no” has nothing at all to do with the picture in its own right. “I don’t understand this poem” and “I don’t like this picture” are statements that tell us something about the speaker. That should be obvious, but in fact, such statements are offered as criticisms of art, as evidence against, not least because the ignorant, the lazy, or the plain confused are not likely to want to admit themselves as such. We hear a lot about the arrogance of the artist but nothing about the arrogance of the audience. The audience, who have given no thought to the medium or the method, will glance up, flick through, chatter over the opening chords, then snap their fingers and walk away like some monstrous Roman tyrant. This is not arrogance; of course, they can absorb in a few moments, and without any effort, the sum of the artist and the art.Admire me is the sub-text of so much of our looking; the demand put on art that it should reflect the reality of the viewer. The true painting, in its stubborn independence, cannot do this, except coincidentally. Its reality is imaginative not mundane.When the thick curtain of protection is taken away; protection of prejudice, protection of authority, protection of trivia, even the most familiar of paintings can begin to work its power. There are very few people who could manage an hour alone with the Mona Lisa. Our poor art-lover in his aesthetic laboratory has not succeeded in freeing himself from the protection of assumption. What he has found is that the painting objects to his lack of concentration; his failure to meet intensity with intensity. He still has not discovered anything about the painting, but the painting has discovered a lot about him. He is inadequate, and the painting has told him so.When you say “This work is boring/ pointless/silly/obscure/élitist etc.,” you might be right, because you are looking at a fad, or you might be wrong because the work falls so outside of the safety of your own experience that in order to keep your own world intact, you must deny the other world of the painting. This denial of imaginative experience happens at a deeper level than our affirmation of our daily world. Every day, in countless ways, you and I convince ourselves about ourselves. True art, when it happens to us, challenges the “I” that we are and you say, “This work has nothing to do with me.”Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. We say we have no time for art. If we say that art, all art. is no longer relevant to our lives, then we might at least risk the question “What has happened to our lives?” The usual question, “What has happened to art?” is too easy an escape route.A young man visits a critically acclaimed modern art exhibition in his city and finds that he doesn’t like any of the exhibits. If he were to share his experience with the author of the passage, which of the following is most likely to be the author’s response?
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MCQ->In this question, a passage is given followed by a statement. Read the passage carefully and judge the statement based on the given passage.The strong olfactory sense elephants ar e known for has come as a blessing in disguise for the police in curbing illicit liquor trade in Uttarakhand’s Udham SinghNagar district. The animals find lahan, the substance used for brewing liquor, hidden in forests of Khatima in the district, and destroy them. Manufacturers brew it near nullahsdeep inside the forests or near the villages to avoid police raids as flowing water is required for fermentation.Lahan is sealed in barrels or polythene bags and buried for four to five days for fermentation. Elephants reach the spot by smelling the substance and destroy the barrels to consume the liquor, said Yogesh Upadhaya, inspector, Khatima police station. He said some traders keep the barrels on scaffoldings on trees but they are easily spotted by the police. “We have destroyed thousand litres of lahan in the past 23 months. They were stored in barrels on scaffoldings,” said Yogesh Upadhyay, inspector. “Miscreants place barrels of lahan on trees to keep them away from elephants. Elephants find them and destroy the barrels to consume the substance, causing heavy loss to the manufacturers,” he added. A villager, said: “The liquor is sold for Rs 80 to 100 per litre in villages. Since it is cheaper than liquor available in the market, people buy it even after knowing its impact on health. Elephants are playing vital role in curbing the trade.” Statement: Lahan is one of the costliest liquor that is available.Choose the appropriate one from the following options A The statement is definitely true. B The statement is probably true. C The statement cannot be determ ined. D The statement is definitely false.....
MCQ->What will be the output of the program? class Super { public int i = 0; public Super(String text) / Line 4 / { i = 1; } } class Sub extends Super { public Sub(String text) { i = 2; } public static void main(String args[]) { Sub sub = new Sub("Hello"); System.out.println(sub.i); } }....
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