1. Arrange the given words in the sequence in which they occur in the dictionary. 1. Feeble 2. From 3. Floor 4. Foam 5. Fluorescent





Write Comment

Type in
(Press Ctrl+g to toggle between English and the chosen language)

Comments

  • By: anil on 05 May 2019 01.46 am
    As per the dictionary, Feeble -> Floor -> Fluorescent -> Foam -> From $$equiv$$ 13542
    => Ans - (A)
Show Similar Question And Answers
QA->Antonyms of Feeble ?....
QA->Which chemical is used in foam fire extinguishers?....
QA->Who is the inventor of Rubber (latex foam)?....
QA->Scientific Name of Foam Flower ?....
QA->Which is printed on a commonly used fluorescent tube light?....
MCQ-> Study the following information carefully and answer the questions given below : Seven persons – M, N, O, P, Q, R and S – live on separate floors of a sevenstoreyed building, but not necessarily in the same order. The ground floor of the building is numbered 1, the floor above it 2 and so on until the topmost floor is numbered 7. Each person likes diffemt cartoon characters, viz, Chipmnuk, Flinstone, Jetson, Popeye, Scooby Doo, Simpson and Tweety, but not necessarily in the same order. The person who likes Popeye lives on floor numbered 4. Only two persons live between P and the one who likes Popeye. M does not live on the lowermost floor. M lives on any odd numbered floor below the one who likes Popeye. S lives on an even numbered floor but neither immediately above nor immediately below the floor of M. Only two persons live between M and the person who likes Tweety. Only one person lives between N and R. R lives on an even numbered floor and does not like Popeye. Only three persons live between the persons who like Chipmnuk and Jetson respectively. The person who likes Chipmnuk live on any floor above the N’s floor. The person who likes Chipmanuk does not live on the topmost floor. O does not like Chipmnuk or Jet-son. The person who likes Scooby Doo lives on the floor immediately above the floor of the perosn who likes Simpson.How many persons live between the floors on which S and P live ?
 ....
MCQ-> The highest priced words are ghost-written by gagmen who furnish the raw material for comedy over the air and on the screen. They have a word-lore all their own, which they practise for five to fifteen hundred dollars a week, or fifteen dollars a gag at piece rates. That's sizable rate for confounding acrimony with matrimony, or extracting attar of roses from the other.Quite apart from the dollar sign on it, gagmen's word-lore is worth a close look, if you are given to the popular American pastime of playing with words — or if you're part of the 40 per cent who make their living in the word trade. Gag writers' tricks with words point up the fact that we have two distinct levels of language: familiar, ordinary words that everybody knows; and more elaborate words that don't turn up so often, but many of which we need to know if we are to feel at home in listening and reading today.To be sure gagmen play hob with the big words, making not sense but fun of them. They keep on confusing bigotry with bigamy, illiterate with illegitimate, monotony with monogamy, osculation with oscillation. They trade on the fact that for many of their listeners, these fancy terms linger in a twilight zone of meaning. It’s their deliberate intent to make everybody feel cozy at hearing big words, jumbled up or smacked down. After all, such words loom up over-size in ordinary talk, so no wonder they get the bulldozer treatment from the gagmen.Their wrecking technique incidentally reveals our language as full of tricky words, some with 19 different meanings, others which sound alike but differ in sense. To ring good punning changes, gag writers have to know their way around in the language. They don't get paid for ignorance, only for simulating it.Their trade is a hard one, and they regard it as serious business. They never laugh at each other's jokes; rarely at their own. Like comediennes, they are usually melancholy men in private life.Fertile invention and ingenious fancy are required to clean up ‘blue’ burlesque gags for radio use. These shady gags are theoretically taboo on the air. However, a gag writer who can leave a faint trace of bluing when he launders the joke is all the more admired — and more highly paid. A gag that keeps the blue tinge is called a ‘double intender’, gag-land jargon for double entendre. The double meaning makes the joke funny at two levels. Children and other innocents hearing the crack for the first time take it literally, laughing at the surface humour; listeners who remember the original as they heard it in vaudeville or burlesque, laugh at the artfulness with which the blue tinge is disguised.Another name for a double meaning of this sort is ‘insinuendo’. This is a portmanteau word or ‘combo’, as the gagmen would label it, thus abbreviating combination. By telescoping insinuation and innuendo, they get insinuendo, on the principle of blend words brought into vogue by Lewis Caroll. ‘Shock logic’ is another favourite with gag writers. Supposedly a speciality of women comediennes, it is illogical logic more easily illustrated than defined. A high school girl has to turn down a boy's proposal, she writes:Dear Jerry, I'm sorry, but I can't get engaged to you. My mother thinks I am too young to be engaged and besides, I'm already engaged to another boy. Yours regretfully. Guess who.Gag writers' lingo is consistently funnier than their gags. It should interest the slang-fancier. And like much vivid jargon developed in specialised trades and sports, a few of the terms are making their way into general use. Gimmick, for instance, in the sense either of a trick devised or the point of a joke, is creeping into the vocabulary of columnists and feature writers.Even apart from the trade lingo, gagmen's manoeuvres are of real concern to anyone who follows words with a fully awakened interest. For the very fact that gag writers often use a long and unusual word as the hinge of a joke, or as a peg for situation comedy, tells us something quite significant: they are well aware of the limitations of the average vocabulary and are quite willing to cash in on its shortcomings.When Fred Allens' joke-smiths work out a fishing routine, they have Allen referring to the bait in his most arch and solemn tones: "I presume you mean the legless invertebrate." This is the old minstrel trick, using a long fancy term, instead of calling a worm a worm. Chico Marx can stretch a pun over 500 feet of film, making it funnier all the time, as he did when he rendered, "Why a duck?"And even the high-brow radio writers have taken advantage of gagmen's technique. You might never expect to hear on the air such words as lepidopterist and entymologist. Both occur in a very famous radio play by Norman Corvine, ‘My client Curly’, about an unusual caterpillar which would dance to the tune ‘yes, sir, she's my baby’ but remained inert to all other music. The dancing caterpillar was given a real New York buildup, which involved calling in the experts on butterflies and insects which travel under the learned names above. Corvine made mild fun of the fancy professional titles, at the same time explaining them unobtrusively.There are many similar occasions where any one working with words can turn gagmen's trade secrets to account. Just what words do they think outside the familiar range? How do they pick the words that they ‘kick around’? It is not hard to find out.According to the writer, a larger part of the American population
 ....
MCQ->Among six people P, Q, R, S, T and V each lives on a different floor of a six-storey building having six floors numbered one to six (the ground floor is numbered 1, the floor above it, number 2 and so on and the topmost floor is numbered 6. Who lives on the topmost floor? I) There is only one floor between the floors on which R and Q live. P lives on an even numbered floor. II) T does not live on an even numbered floor. Q lives on an even numbered floor. Q does not live on the topmost floor. III) S lives on an odd numbered floor. There are two floors between the floors on which S and P live. T lives on a floor immediately above R's floor.....
MCQ-> Study the following information carefully and answer the questions given below Among six persons — K. L. M, N, 0 and P— each lives on a different floor of a building having six floors numbered one to six (the ground floor is numbered 1, the floor above it is numbered 2 and so on and the topmost flour is numbered 6). L lives on an even numbered floor. L lives on a floor immediately below K’s floor and immediately above M’s floor. P lives on a floor immediately above N’s floor. P lives on an even numbered floor. 0 does not live on floor number 4.Who amongst the following live on the floors exactly between K and P?
 ....
MCQ-> Directions : Read the following information carefully and answer the questions which follow. A, B, C, D, E and F live on different floors in the same building having six floors numbered one to six (the ground floor is numbered one, the floor above it is numbered two, and so on, and the topmost floor is numbered 6). A lives on an even-numbered floor. There are two floors between the floors on which D and F live. F lives on a floor above D's floor. D does not live on the floor numbered two. B does not live on an odd-numbered floor. C does not live on any of the floors below F's floor. E does not live on a floor immediately above or immediately below the floor on which B lives.Who among the following live on the floors exactly between D and F?
 ....
Terms And Service:We do not guarantee the accuracy of available data ..We Provide Information On Public Data.. Please consult an expert before using this data for commercial or personal use
DMCA.com Protection Status Powered By:Omega Web Solutions
© 2002-2017 Omega Education PVT LTD...Privacy | Terms And Conditions