Which place was known as ‘Dakshina Nalanda’in Ancient Kerala? ?->(Show Answer!)

1. Which place was known as ‘Dakshina Nalanda’in Ancient Kerala?

Write Comment

Comments

Tags

Show Similar Question And Answers

QA->Which vedic school is popularly known as Nalanda of the South (Dakshina Nalanda)?....

QA->In ancient India; Nalanda University was a great centre for the study of which religion?....

QA->In ancient India, Nalanda University was a great centre for the study of which religion?....

QA->The temple which known as Dakshina Palani(Palani of south)....

QA->The temple known as ‘Dakshina Mookambika’:....

MCQ->Which place was known as ‘Dakshina Nalanda’in Ancient Kerala?....

MCQ->Which place was known as “Dakshina Nalanda ‘in Ancient Kerala?....

MCQ-> In the following passage some of the words have been left out. Read the passage carefully and select the correct answer for the given blank out of the four alternatives.The ______________ of gurudakshina is very ancient and it is ________________ to the Indian culture and tradition. If you are absolutely ______________ about India, then it's advisable that you first try to understand the meaning of a guru and the ________________ of his presence in the lives of those around him. This, in turn, will help you to understand what guru dakshina is. In ancient India, a teacher or a guru was a spiritually _____________ guide.The ______________ of gurudakshina is very ancientThe ______________ of gurudakshina is very ancient ....

MCQ-> Read the passage and answer the questions that follow: Passage II Reverence is a dirty word at the Almeida Theatre in Islington, North London. Rupert Goold, the artistic director, and Robert Icke, his associate, are resolved to take dusty, distant cultural artefacts of drama and shake them hard. so that they will entertain modern audiences, especially those with no previous knowledge of the plays. Mr Icke holds that to save the classics from withering, a director must be willing even to reinterpret the original author's intentions. This summer Messrs Goold and Icke have directed freshly translated versions of the oldest of all "dusty theatrical artefacts": the ancient Greek tragedies of Aeschylus and Euripides. These versions ruthless) rewrite texts and alter plots. In Euripides's "Medea'. the last of the season of three plays which opened on 1st October directed by Mr Goold. Medea murders her two children as revenge on her unfaithful husband. Not at the Almeida: in this version, her sons die—or perhaps do not—by eating sleeping pills. Mr Icke's version of "Oresteia" by Aeschylus is described as "a new adaptation", but classics scholars insist that it is much more than that. The masked male chorus which propels all Greek tragedy, so memorable in Sir Peter Hall's production at the National Theatre in 1981, is jettisoned. Mr Icke's -Oresteie starts with 46 pages of text (out of 113 in all) that are a dramatisation of the long choral ode in Aeschylus's "Agamemnon-. It deals with his decision to sacrifice his daughter Iphigenia to ensure his ships a fair wind for Troy. Mr Icke believes that, without this prelude, it is hard to appreciate fully the ensuing, awe-inspiring family tragedy in which his wife Klytemnestra kills Agamemnon to avenge their daughter's death, and then is murdered in turn by their son Orestes. The extra material makes for a long evening, but it speeds by. Only the "Bakkhai". the second of the Almeida's three plays, conforms to the traditional Greek unities of time and place, and as in ancient Greece, has all the speaking roles played by three actors, backed by a chorus (though of Bacchic ladies rather than masked men). The Greek season defines the Almeida's style of work. Mr Goold has unearthed a rich new seam of modem theatre by reviving and generally energising work by authors such as Luigi Pirandello and Bret Easton Ellis. His delightful version of "The Merchant of Venice"- set in Las Vegas, was played largely for laughs, with the verse adapting easily to a singsong southern American accent. Even his failures, such as a "King Lear and Puccini at the English National Opera, had moments that linger in the memory. Actors like working there. Since small theatres like the Almeida cannot pay well, actors choose the work over the money. In this Greek season, the two most memorable performances are by Lia Williams as Klytemnestra and Kate Fleetwood, who is Mr Goold's wife, as Medea. Each exhibits an emotional range that holds the action together. The rage, temper and insult of the dialogue between Medea and her husband Jason, here conducted on their mobile phones, reveal a direct linguistic link from ancient Greece to contemporary soap opera. Whatever quibbles there might be about the editing, cutting and rewriting of the texts, surely the significant question about this ambitious project is whether the audience is gripped by the performances. Enthusiastic word-of-mouth suggests the answer is yes.In this passage, the word "reverence" can be interpreted as....

MCQ-> Read the following passage and answer the questions. Passage: Tutankhamen was Pharoah of Egypt from 1361 to 1352 BC. He died at the early age of nineteen and was buried in a tomb in the Valley of the Kings, on the west bank of the river Nile. Not much is known about the life of this king or why he died so young. In fact, we would never have heard of him if not for the magnificent treasures found in his tomb. All the other tombs in the Valley of the Kings had been robbed in ancient times. But nobody knew about Tutankhamen's tomb for hundreds of years. Hence, there was a great deal of excitement when his tomb was discovered by two Englishmen. One of them, Howard Carter, was a professional archaeologist. The other, Lord Camarvon, was a rich man interested in archaeology and who generously spent his money on excavations. For four years, from 1917 to 1922, they had been excavating in the Valley of the Kings without finding anything new. They were on the verge of giving up when a step appeared as Carter was clearing some stones near a royal tomb. He excavated further and unearthed a breathtaking collection of treasures in a tomb, all buried with Tutankhamen 3274 years ago! However, the story of Tutankhamen did not end there. Some Egyptians believed that according to an ancient curse anyone who touched Tutankhamen's tomb would die. Most people laughed at the idea of the curse coming true. However, when the last man climbed out of the tomb, a sudden sandstorm blew up and people saw a hawk, the ancient royal symbol of Egypt, fly overhead. Locals took this to mean that the spirit of the dead king had left his tomb, cursing those who had opened it. Five months later, Lord Camarvon, died of an infected mosquito bite on his cheek.Which ONE of the following statements is TRUE?
....